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Filmmaker Steven Spielberg, synonymous with the charm of the big screen, has reached a new agreement with Netflix, and his production company, Amblin Partners, will produce multiple feature films for the streaming giant each year.
In the context of increasingly fierce competition, Netflix’s chief content officer Ted Sarandos has long pursued this partnership, which is a major achievement for the company. It may also allow Hollywood’s most beloved film director to enter the streaming media field more formally.
The deal was announced on Monday, but did not specifically include any movies directed by Spielberg.In December of this year, he will release West Side Story Performed in collaboration with Disney’s 20th Century Studio. Amblin has a separate drama distribution agreement with Universal Pictures.
“At Amblin, storytelling will always be at the center of everything we do. From the moment Ted and I started discussing the partnership, it was clear that we had a great opportunity to tell new stories together and reach the audience in new ways. “Spielberg said in a statement.
“This new approach to our film, and the stories we continue to tell with our long-term family in Universal and our other partners, since we started with Ted, will be very fulfilling for me personally. I have Can’t wait to start with him, Scott and the entire Netflix team.”
Spielberg’s complicated relationship with streaming
Amblin’s name is taken from a short film by Spielberg in 1968, which helped produce various movies besides My Spielberg, including 1917 with Green PaperThe two companies have previously collaborated on TV series and Aaron Sorkin’s films Chicago Trial 7, A film co-produced by Amblin, sold by Paramount Pictures to Netflix during the pandemic.
Spielberg is sometimes seen as opposing the future of movie streaming. Deadline Hollywood headlines Monday’s announcement wanted to know: “Is hell frozen?”
But Spielberg opposed his anti-streaming impressions in 2019. There were reports at the time that Spielberg believed that streaming media distribution—he likened it to a TV movie—should compete for Emmys, not Oscars. “I firmly believe that movie theaters need to exist forever,” Spielberg said that year.
He clarified whether the big screen or the small screen, “What really matters to me is a good story. Everyone should have the opportunity to be exposed to a good story.”
“However, I feel that people need to have the opportunity to leave a safe and familiar life and go to a place where they can sit with others and share their experiences-crying together, laughing together, afraid together-so that when it ends, they may be It doesn’t feel like a stranger,” Spielberg wrote in an email to the New York Times.
“I want to see the survival of the cinema. I want the theater experience to remain relevant in our culture.”
The rise of hybrid versions
Since Spielberg’s email, the boundaries have also blurred. Although Netflix has provided exclusive theater screenings for a week or more of some of its most famous films, traditional studios such as Disney and Warner Bros. have adopted more mixed distribution models, sending movies to streaming services at the same time.
“Steven is a creative visionary and leader. Like many others in the world, my growth is shaped by his unforgettable characters and stories, which are enduring and inspiring. Human heart and awakening,” Sarandos said.
“We can’t wait to work with the Amblin team. We are honored and excited to be part of Steven’s film history.”
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